
Well, I call it that, although a lot of these aren't frequently asked at all.
In fact, some of them have never ever been asked, to my knowledge. Still,
it's the best format I can think of for this kind of information.
Questions marked
are either new or have been
changed recently.
| Vaseline - | The name the band chose when they first started rehearsing back in 1992. |
| Onk - | The band played under this name at their first gig at the Old Trout in Windsor where they were supporting Truman's Water. |
| Kirby Grip - | ??? |
| Spastica - | Not very PC... |
| Spastics Society - | ...and neither was that! |
| Dad - | Suggested by Brett Anderson. |
Thanks for asking them the question Van!
"Mm. We don't talk about that, those sort of things cause divorces."
Much more obviously, they did a straight cover of "Cleopatra" by Adam and the Ants which came on the free flexi with the vinyl edition of the album. "Father Christmas" is the same song with different lyrics (sometimes known as Cleochristmas) Also, the bass line of "Gloria" is the tune of the Christmas carol "Ding-Dong Merrily on High".
To find out, follow this link.
This latest explanation is from
Andrew Morse. Thanks to
Matt Nicholls for
passing it on.
I saw the discussion of the Japanese text on an Elastica page and just wanted to weigh in. The big headline says simply "recycling." There is no subject or object of the recycling, although the implication is that recycling is a worthy endeavor.
The first line of small text is literally "generic." It is also the name of a company that makes generic products -- everything from pens and pencils to hot pots and the like -- but has become a brandname in and of itself. (I believe the company is publicly traded.) The small text underneath that reads "shonen nouto," or "youngster's notebook."
The biggest mystery is the large character to the extreme left of the line of large text. To the best of my knowledge, it isn't a character, and, as such, has no meaning. Judging from the handwriting, this wasn't written by a native Japanese. I suspect that it was something copied by a non-Japanese artist and an error was introduced at that point. The art also resembles some of the "manga" (comic book) styles that are currently popular.
Anyways, hope that is of some help.
"Justin mainly uses a Ludwig kit and a Black Beauty snare, which tends to get used by everyone everywhere, I think. It seems to be the ubiquitous snare that ends up on every record - we would try eight or nine different snares and we'd always end up back with Justin's seven-inch Black Beauty."
"Justine uses Fender Twin Reverb amps all the time, but you have to get the ones made before '72-'73 because they changed all the speaker units and the electronics with the CBS takeover. She plays a Telecaster and the only pedal she uses is a Rat."
"Donna uses a Tele and a standard Marshall stack, with a Rat and a Metalzone - it's either Ibanez or Boss - a horrible crunchy sound that really works for her because she's got a lot more of a pedal driven sound."
"They always stick to Telecasters - we got some Gibsons in but they weren't used because they were a bit too woolly and nasty. We also used this ridiculous old semi-acoustic guitar that's got no name or branding, and we used that for feedback effects."
"Annie uses Squier or Fender Jazz basses with an Ampeg cab and SVT3. With her sound, we spent a long time during the early demos and gigs setting up that Stranglers crunch sound. On the early singles, we used a Portatone, which is where the original sound came from, but they're very unreliable because they can't take the pressure - they crack up and die on you."
You can also have a look at the Elastica Production Specs which the band's monitor engineer Drew Waters has put up on his web site. You'll also find information there about the stage layout, crew schedule and other touring details...
Recorded August 12th 1993
Recorded June 14th 1994
Recorded December 6th 1994
Spiky, spunky and tighter than Brett Anderson's kinky vests; a sheer rush of
frivolity and a sense of cool abandonment that only a band supremely confident
of their impending celebrity could pull off.
NME review of Stutter - Johnny Dee - October 16th 1993